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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 A statue of a girl with a bird, 2nd Century CE, found at Arikamedu Arikamedu is an archaeological site in Southern India, in Kakkayanthope, Ariyankuppam Commune, Puducherry. It is 4 kilometres (2.5 mi) from the capital, Pondicherry of the Indian territory of Puducherry. Sir Mortimer Wheeler 1945, and Jean-Marie Casal conducted archaeological excavations there in 1947–1950. The site was identified as the port of Podouke, known as an "emporium" in the Periplus of the Erythraean Sea and Ptolemy. Digs have found Amphorae, Arretine ware, Roman lamps, glassware, glass and stone beads, and gems at the site. Based on these excavations, Wheeler concluded that the Arikamedu was a Greek (Yavana) trading post that traded with Rome, starting during the reign of Augustus Caesar, and lasted about two hundred years—from the late first century BCE to the first and second centuries CE. Subsequent investigation by Vimala Begley from 1989 to 1992 modified this assessment, and now place the period of settlement from the 2nd century BCE to the 8th century CE. (Full article...)

    A statue of a girl with a bird, 2nd Century CE, found at Arikamedu

    Arikamedu is an archaeological site in Southern India, in Kakkayanthope, Ariyankuppam Commune, Puducherry. It is 4 kilometres (2.5 mi) from the capital, Pondicherry of the Indian territory of Puducherry.

    Sir Mortimer Wheeler 1945, and Jean-Marie Casal conducted archaeological excavations there in 1947–1950. The site was identified as the port of Podouke, known as an "emporium" in the Periplus of the Erythraean Sea and Ptolemy. Digs have found Amphorae, Arretine ware, Roman lamps, glassware, glass and stone beads, and gems at the site. Based on these excavations, Wheeler concluded that the Arikamedu was a Greek (Yavana) trading post that traded with Rome, starting during the reign of Augustus Caesar, and lasted about two hundred years—from the late first century BCE to the first and second centuries CE. Subsequent investigation by Vimala Begley from 1989 to 1992 modified this assessment, and now place the period of settlement from the 2nd century BCE to the 8th century CE. (Full article...)
  • Image 2 Karnan (pronunciation) is a 1964 Indian Tamil-language Hindu mythological film produced and directed by B. R. Panthulu. It stars Sivaji Ganesan leading an ensemble cast consisting of N. T. Rama Rao, S. A. Ashokan, R. Muthuraman, Savitri, Devika and M. V. Rajamma. The film is based on the story of Karna, a character from the Hindu epic Mahabharata. Karnan, which was officially launched in 1963, was shot in palaces at Jaipur and the war sequences were filmed in Kurukshetra, which featured several soldiers from the Indian Army. The film's original soundtrack was composed by the duo Viswanathan–Ramamoorthy, while the lyrics were written by Kannadasan. The screenplay was written by A. S. Nagarajan and the dialogues by Sakthi T. K. Krishnasamy. The film was the first in Tamil to be entirely shot and released in Eastmancolor. (Full article...)
    Karnan (pronunciation) is a 1964 Indian Tamil-language Hindu mythological film produced and directed by B. R. Panthulu. It stars Sivaji Ganesan leading an ensemble cast consisting of N. T. Rama Rao, S. A. Ashokan, R. Muthuraman, Savitri, Devika and M. V. Rajamma. The film is based on the story of Karna, a character from the Hindu epic Mahabharata.

    Karnan, which was officially launched in 1963, was shot in palaces at Jaipur and the war sequences were filmed in Kurukshetra, which featured several soldiers from the Indian Army. The film's original soundtrack was composed by the duo Viswanathan–Ramamoorthy, while the lyrics were written by Kannadasan. The screenplay was written by A. S. Nagarajan and the dialogues by Sakthi T. K. Krishnasamy. The film was the first in Tamil to be entirely shot and released in Eastmancolor. (Full article...)
  • Image 3 Komen approaching the Bangladeshi coast on July 30 Cyclonic Storm Komen (/ˈkoʊ.mɛn/) was an unusual tropical cyclone that originated near the southern coast of Bangladesh and later struck the same country while drifting over the northern Bay of Bengal. The second named storm of the 2015 season, Komen brought several days of heavy rainfall to Myanmar, Bangladesh, and India. It formed as a depression on July 26 over the Ganges delta and moved in a circular motion around the northern Bay of Bengal. Komen intensified into a 75 km/h (45 mph) cyclonic storm and moved ashore southeastern Bangladesh on July 30. The system turned westward over land and was last noted over eastern India on August 2. Across its path, Komen dropped torrential rainfall, primarily in northwestern Myanmar where the precipitation totaled at 840 mm (33 in) in Paletwa. The rains compounded upon ongoing flooding and contributed to the worst flooding in the country in a century. About 1.7 million people were forced to evacuate as flood waters inundated houses to their rooftops. About 510,000 houses in the country were damaged or destroyed, and many residents lost their source of income as 667,221 acres (270,015 hectares) of crop fields were damaged. The floods killed 132 people, of which at least 39 were directly related to Komen. The government requested assistance from the international community to cope with the disaster, considered the worst in the country since Cyclone Nargis in 2008. Elsewhere, the storm's flooding damaged 88,900 houses in Bangladesh and covered crop fields for a week; Komen killed 45 people in the country, some of whom due to illnesses spread by the storm. Later, floodwaters affected southeastern India, killing 103 people and damaging or destroying 476,046 houses. (Full article...)

    Komen approaching the Bangladeshi coast on July 30

    Cyclonic Storm Komen (/ˈkoʊ.mɛn/) was an unusual tropical cyclone that originated near the southern coast of Bangladesh and later struck the same country while drifting over the northern Bay of Bengal. The second named storm of the 2015 season, Komen brought several days of heavy rainfall to Myanmar, Bangladesh, and India. It formed as a depression on July 26 over the Ganges delta and moved in a circular motion around the northern Bay of Bengal. Komen intensified into a 75 km/h (45 mph) cyclonic storm and moved ashore southeastern Bangladesh on July 30. The system turned westward over land and was last noted over eastern India on August 2.

    Across its path, Komen dropped torrential rainfall, primarily in northwestern Myanmar where the precipitation totaled at 840 mm (33 in) in Paletwa. The rains compounded upon ongoing flooding and contributed to the worst flooding in the country in a century. About 1.7 million people were forced to evacuate as flood waters inundated houses to their rooftops. About 510,000 houses in the country were damaged or destroyed, and many residents lost their source of income as 667,221 acres (270,015 hectares) of crop fields were damaged. The floods killed 132 people, of which at least 39 were directly related to Komen. The government requested assistance from the international community to cope with the disaster, considered the worst in the country since Cyclone Nargis in 2008. Elsewhere, the storm's flooding damaged 88,900 houses in Bangladesh and covered crop fields for a week; Komen killed 45 people in the country, some of whom due to illnesses spread by the storm. Later, floodwaters affected southeastern India, killing 103 people and damaging or destroying 476,046 houses. (Full article...)
  • Image 4 Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F) Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives. The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)

    Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F)

    Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives.

    The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)
  • Image 5 Kadhalikka Neramillai (transl. No Time for Love) is a 1964 Indian Tamil-language romantic comedy film produced and directed by C. V. Sridhar, who also conceived and co-wrote its script with Chitralaya Gopu. The film features an ensemble cast consisting of Balaiah, Muthuraman, Nagesh, Rajasree, Sachu, Ravichandran and Kanchana. The latter two made their acting debut with this film. The plot of Kadhalikka Neramillai revolves around Viswanathan, an estate owner who hopes to get his daughters Nirmala and Kanchana married to wealthy grooms. However, Nirmala falls in love with Ashok, a poor man who was once employed by Vishwanathan. To earn Viswanathan's approval, Ashok pretends to be the only heir of a rich businessman; he is supported by his friend Vasu, who poses as Ashok's fictional millionaire father Chidambaram. A comedy of errors ensues when Vasu discovers his lover Kanchana is Viswanathan's other daughter. (Full article...)
    Kadhalikka Neramillai (transl. No Time for Love) is a 1964 Indian Tamil-language romantic comedy film produced and directed by C. V. Sridhar, who also conceived and co-wrote its script with Chitralaya Gopu. The film features an ensemble cast consisting of Balaiah, Muthuraman, Nagesh, Rajasree, Sachu, Ravichandran and Kanchana. The latter two made their acting debut with this film.

    The plot of Kadhalikka Neramillai revolves around Viswanathan, an estate owner who hopes to get his daughters Nirmala and Kanchana married to wealthy grooms. However, Nirmala falls in love with Ashok, a poor man who was once employed by Vishwanathan. To earn Viswanathan's approval, Ashok pretends to be the only heir of a rich businessman; he is supported by his friend Vasu, who poses as Ashok's fictional millionaire father Chidambaram. A comedy of errors ensues when Vasu discovers his lover Kanchana is Viswanathan's other daughter. (Full article...)
  • Image 6 Skyline of the Central Business District Bengaluru (Kannada : (Full article...)
  • Image 7 The Secret of the Nagas is the second book of Amish Tripathi, second book of Amishverse, and also the second book of Shiva Trilogy. The story takes place in the imaginary land of Meluha and narrates how the inhabitants of that land are saved from their wars by a nomad named Shiva. It begins from where its predecessor, The Immortals of Meluha, left off, with Shiva trying to save Sati from the invading Naga. Later Shiva takes his troop of soldiers and travels far east to the land of Branga, where he wishes to find a clue to reach the Naga people. Shiva also learns that Sati's first child is still alive, as well as her twin sister. His journey ultimately leads him to the Naga capital of Panchavati, where he finds a surprise waiting for him. Tripathi started writing The Secret of the Nagas while the first part of the trilogy was being released. He relied on his knowledge of geography and history to expand the locations visited in the story. The book was released on 12 August 2011, and was published by Westland Press. Before its release, the author confessed that many revelations would be present in the book, including the true nature of many characters. Two theatrical trailers were created for showing in multiplex cinema halls, as Tripathi believed that the film-going audience also reads his books, and that would create publicity. (Full article...)
    The Secret of the Nagas is the second book of Amish Tripathi, second book of Amishverse, and also the second book of Shiva Trilogy. The story takes place in the imaginary land of Meluha and narrates how the inhabitants of that land are saved from their wars by a nomad named Shiva. It begins from where its predecessor, The Immortals of Meluha, left off, with Shiva trying to save Sati from the invading Naga. Later Shiva takes his troop of soldiers and travels far east to the land of Branga, where he wishes to find a clue to reach the Naga people. Shiva also learns that Sati's first child is still alive, as well as her twin sister. His journey ultimately leads him to the Naga capital of Panchavati, where he finds a surprise waiting for him.

    Tripathi started writing The Secret of the Nagas while the first part of the trilogy was being released. He relied on his knowledge of geography and history to expand the locations visited in the story. The book was released on 12 August 2011, and was published by Westland Press. Before its release, the author confessed that many revelations would be present in the book, including the true nature of many characters. Two theatrical trailers were created for showing in multiplex cinema halls, as Tripathi believed that the film-going audience also reads his books, and that would create publicity. (Full article...)
  • Image 8 Aga Khan III, facilitator of the Simla Deputation The Simla Deputation was a gathering of 35 prominent Indian Muslim leaders led by the Aga Khan III at the Viceregal Lodge in Simla in October 1906. The deputation aimed to convince Lord Minto, the viceroy of India, to grant Muslims greater representation in politics. The deputation took advantage of the liberal values of the newly-appointed Minto and his Secretary of State, John Morley, following the election of the Liberals in the 1906 United Kingdom general election, as well as the willingness of the British and the Indian Muslims to cooperate – the British wanted to use Indian Muslims as a bulwark against the Indian National Congress and Hindu nationalism, while the Muslims, based in Aligarh Muslim University, wanted to use the opportunity to secure more political representation for themselves. (Full article...)

    Aga Khan III, facilitator of the Simla Deputation

    The Simla Deputation was a gathering of 35 prominent Indian Muslim leaders led by the Aga Khan III at the Viceregal Lodge in Simla in October 1906. The deputation aimed to convince Lord Minto, the viceroy of India, to grant Muslims greater representation in politics.

    The deputation took advantage of the liberal values of the newly-appointed Minto and his Secretary of State, John Morley, following the election of the Liberals in the 1906 United Kingdom general election, as well as the willingness of the British and the Indian Muslims to cooperate – the British wanted to use Indian Muslims as a bulwark against the Indian National Congress and Hindu nationalism, while the Muslims, based in Aligarh Muslim University, wanted to use the opportunity to secure more political representation for themselves. (Full article...)
  • Image 9 Irfan Pathan (pronunciation; born 27 October 1984) is an Indian cricket commentator, analyst and former player. He was a bowling all-rounder and member of the Indian cricket team that won the inaugural 2007 ICC Twenty20 World Cup and 2013 ICC Champions Trophy. Beginning his career as a fast-medium swing and seam bowler, Pathan broke into the national team soon after turning 19, and evoked comparisons with Pakistan's Wasim Akram with his promising performances and prodigious swing. In early 2006, Pathan became the only bowler to take a Test hat-trick in the first over of the match (vs Pakistan at Karachi). However, the productive run did not last and after the start of 2006, Pathan began to steadily lose pace and swing, and his wicket-taking dwindled. Although Pathan's batting continued to be productive, he was not regarded as a specialist and was dropped from the team in both Tests and ODIs by the end of 2006, and by 2007 was no longer in the squad until his return in the 2007 World Twenty20. (Full article...)

    Irfan Pathan (pronunciation; born 27 October 1984) is an Indian cricket commentator, analyst and former player. He was a bowling all-rounder and member of the Indian cricket team that won the inaugural 2007 ICC Twenty20 World Cup and 2013 ICC Champions Trophy.

    Beginning his career as a fast-medium swing and seam bowler, Pathan broke into the national team soon after turning 19, and evoked comparisons with Pakistan's Wasim Akram with his promising performances and prodigious swing. In early 2006, Pathan became the only bowler to take a Test hat-trick in the first over of the match (vs Pakistan at Karachi). However, the productive run did not last and after the start of 2006, Pathan began to steadily lose pace and swing, and his wicket-taking dwindled. Although Pathan's batting continued to be productive, he was not regarded as a specialist and was dropped from the team in both Tests and ODIs by the end of 2006, and by 2007 was no longer in the squad until his return in the 2007 World Twenty20. (Full article...)
  • Image 10 Salt Sathyagraga Memorial Stupa – a memorial of the historic salt march carried out in Vedaranyam in 1930 Vedaranyam (Tamil: [ʋeːdaːɾaɳjam]) (also spelt as Vedaraniam and Vedaranniyam) is a town in Nagapattinam district in the Indian state of Tamil Nadu. The town is named after the presiding deity of the Vedaranyeswarar Temple. The recorded history of Vedaranyam is known from medieval Chola period of the 9th century and has been ruled, at different times, by the Medieval Cholas, Later Cholas, Later Pandyas, Vijayanagar Empire and the British. During India's independence struggle, C. Rajagopalachari, who would later become independent India's first Governor-General, launched a salt march in Vedaranyam parallel to the Dandi March launched by Gandhi in 1930 to protest against the sales tax levied on salt extraction. Vedaranyam comes under the Vedaranyam assembly constituency which elects a member to the Tamil Nadu Legislative Assembly once every five years and it is a part of the Nagapattinam (Lok Sabha constituency) which elects its Member of Parliament (MP) once in five years. The town is administered by the Vedaranyam municipality, which covers an area of 36.26 km2 (14.00 sq mi). As of 2011, the town had a population of 34,266. Vedaranyam was a part of Thanjavur District till 1991 and Nagapattinam District from then on. The town is a part of the fertile Cauvery delta region, but salt extraction and prawn cultivation are the major occupations. Roadways are the major mode of transportation to Vedaranyam and the nearest Airport is Tiruchirapalli Airport, located 135 km (84 mi) away from the town. On 17 November 2018, Vedaranyam was devastated by Cyclone Gaja. (Full article...)

    Salt Sathyagraga Memorial Stupa – a memorial of the historic salt march carried out in Vedaranyam in 1930

    Vedaranyam (Tamil: [ʋeːdaːɾaɳjam]) (also spelt as Vedaraniam and Vedaranniyam) is a town in Nagapattinam district in the Indian state of Tamil Nadu. The town is named after the presiding deity of the Vedaranyeswarar Temple. The recorded history of Vedaranyam is known from medieval Chola period of the 9th century and has been ruled, at different times, by the Medieval Cholas, Later Cholas, Later Pandyas, Vijayanagar Empire and the British. During India's independence struggle, C. Rajagopalachari, who would later become independent India's first Governor-General, launched a salt march in Vedaranyam parallel to the Dandi March launched by Gandhi in 1930 to protest against the sales tax levied on salt extraction.

    Vedaranyam comes under the Vedaranyam assembly constituency which elects a member to the Tamil Nadu Legislative Assembly once every five years and it is a part of the Nagapattinam (Lok Sabha constituency) which elects its Member of Parliament (MP) once in five years. The town is administered by the Vedaranyam municipality, which covers an area of 36.26 km2 (14.00 sq mi). As of 2011, the town had a population of 34,266. Vedaranyam was a part of Thanjavur District till 1991 and Nagapattinam District from then on. The town is a part of the fertile Cauvery delta region, but salt extraction and prawn cultivation are the major occupations. Roadways are the major mode of transportation to Vedaranyam and the nearest Airport is Tiruchirapalli Airport, located 135 km (84 mi) away from the town. On 17 November 2018, Vedaranyam was devastated by Cyclone Gaja. (Full article...)
  • Image 11 The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal. Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)

    The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha

    The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal.

    Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)
  • Image 12 Theatrical release poster Alam Ara (transl. Ornament of the World) is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a fakir (Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar (Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the senapati Adil (Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida). Irani was inspired to make Alam Ara after watching the 1929 American part-talkie Show Boat. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of ₹40,000 (equivalent to ₹12 million or US$140,000 in 2023), principal photography was handled by Adi M. Irani within four months in Bombay. Because the studio was located near a railway track, it was filmed mostly during the nighttime to avoid noise from the active trains. Following filming, Ardeshir Irani finished the sound recording using the single-system recording. Firozshah Mistry and B. Irani served as the music directors. (Full article...)

    Theatrical release poster

    Alam Ara (transl. Ornament of the World) is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a fakir (Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar (Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the senapati Adil (Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida).

    Irani was inspired to make Alam Ara after watching the 1929 American part-talkie Show Boat. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of ₹40,000 (equivalent to ₹12 million or US$140,000 in 2023), principal photography was handled by Adi M. Irani within four months in Bombay. Because the studio was located near a railway track, it was filmed mostly during the nighttime to avoid noise from the active trains. Following filming, Ardeshir Irani finished the sound recording using the single-system recording. Firozshah Mistry and B. Irani served as the music directors. (Full article...)
  • Image 13 Currency Building, viewed from B. B. D. Bagh (formerly the 'Dalhousie Square') The Currency Building is an early 19th-century building in the B. B. D. Bagh (Dalhousie Square) central business district of Kolkata in West Bengal, India. The building was originally built in 1833 to house the Calcutta branch of the Agra Bank. In 1868, it was converted for use by the Office of the Issue and Exchange of Government Currency, an office of the Controller of the Currency under the British Raj. From 1935 until 1937, the Reserve Bank of India (RBI) used the building as its first central office. The building remained in use, and was used at one time by the Central Public Works Department (CPWD) as a storehouse. Authorities decided to demolish it in 1994. From 1996 to 1998, the CPWD undertook demolition; but the building was saved from being completely demolished by the Indian National Trust for Art and Cultural Heritage (INTACH) and the Kolkata Municipal Corporation. In 2003, custodianship passed to the Archaeological Survey of India (ASI), which renovated the building from 2005 to 2019. On 11 January 2020, Prime Minister Narendra Modi formally dedicated and reopened it as a museum. (Full article...)

    Currency Building, viewed from B. B. D. Bagh (formerly the 'Dalhousie Square')

    The Currency Building is an early 19th-century building in the B. B. D. Bagh (Dalhousie Square) central business district of Kolkata in West Bengal, India. The building was originally built in 1833 to house the Calcutta branch of the Agra Bank. In 1868, it was converted for use by the Office of the Issue and Exchange of Government Currency, an office of the Controller of the Currency under the British Raj. From 1935 until 1937, the Reserve Bank of India (RBI) used the building as its first central office. The building remained in use, and was used at one time by the Central Public Works Department (CPWD) as a storehouse. Authorities decided to demolish it in 1994.

    From 1996 to 1998, the CPWD undertook demolition; but the building was saved from being completely demolished by the Indian National Trust for Art and Cultural Heritage (INTACH) and the Kolkata Municipal Corporation. In 2003, custodianship passed to the Archaeological Survey of India (ASI), which renovated the building from 2005 to 2019. On 11 January 2020, Prime Minister Narendra Modi formally dedicated and reopened it as a museum. (Full article...)
  • Image 14 Verma in November 2014 Sunil Kumar Verma (28 September 1974 - 31 May 2021), was an Indian biologist and a principal scientist at the Centre for Cellular and Molecular Biology, Hyderabad, India. Verma was primarily known for his contributions to the development of "universal primer technology", a first generation DNA barcoding method, that can identify any bird, fish, reptile or mammal from a small biological sample, and satisfy legal evidence requirements in a court of law. This technology has revitalised the field of wildlife forensics and is now routinely used across India to provide a species identification service in cases of wildlife crime. This approach of species identification is now known as "DNA barcoding" across the world. Verma received his D.Phil. in medical oncology from the University of Oxford, and had worked in the areas of signal transduction in cancer and on molecular biology applications in wildlife conservation. He was the recipient of several national awards, including the 2008 CSIR Technology Award, the 2009 NRDC Meritorious Invention Award and the 2009 BioAsia Innovation Award in recognition of his contribution to Indian science and technology. He died on May 31, 2021, due to COVID-19 pneumonia. (Full article...)

    Verma in November 2014

    Sunil Kumar Verma (28 September 1974 - 31 May 2021), was an Indian biologist and a principal scientist at the Centre for Cellular and Molecular Biology, Hyderabad, India. Verma was primarily known for his contributions to the development of "universal primer technology", a first generation DNA barcoding method, that can identify any bird, fish, reptile or mammal from a small biological sample, and satisfy legal evidence requirements in a court of law. This technology has revitalised the field of wildlife forensics and is now routinely used across India to provide a species identification service in cases of wildlife crime. This approach of species identification is now known as "DNA barcoding" across the world.

    Verma received his D.Phil. in medical oncology from the University of Oxford, and had worked in the areas of signal transduction in cancer and on molecular biology applications in wildlife conservation. He was the recipient of several national awards, including the 2008 CSIR Technology Award, the 2009 NRDC Meritorious Invention Award and the 2009 BioAsia Innovation Award in recognition of his contribution to Indian science and technology. He died on May 31, 2021, due to COVID-19 pneumonia. (Full article...)
  • Image 15 Black is a 2005 Indian drama film co-written, directed, and co-produced by Sanjay Leela Bhansali. It stars Amitabh Bachchan and Rani Mukerji in lead roles, with Ayesha Kapur, Shernaz Patel and Dhritiman Chatterjee in supporting roles. The film narrates the story of Michelle (Mukerji), a deafblind woman, and her relationship with her teacher Debraj (Bachchan), an elderly alcoholic teacher who himself later develops Alzheimer's disease. In 2003, Bhansali announced the production of his new project, Black. Its idea first came up when he met several physically disabled children while shooting Khamoshi: The Musical in the 1990s. The story was inspired by the activist Helen Keller's life and her 1903 autobiography, The Story of My Life. Principal photography was done by Ravi K. Chandran in 100 days from mid-January to April 2004, taking place in Shimla and Film City. Omung Kumar was the production designer, while Sham Kaushal was the action director. After filming, it was edited by Bela Sehgal. The soundtrack and score were composed by Monty Sharma. (Full article...)
    Black is a 2005 Indian drama film co-written, directed, and co-produced by Sanjay Leela Bhansali. It stars Amitabh Bachchan and Rani Mukerji in lead roles, with Ayesha Kapur, Shernaz Patel and Dhritiman Chatterjee in supporting roles. The film narrates the story of Michelle (Mukerji), a deafblind woman, and her relationship with her teacher Debraj (Bachchan), an elderly alcoholic teacher who himself later develops Alzheimer's disease.

    In 2003, Bhansali announced the production of his new project, Black. Its idea first came up when he met several physically disabled children while shooting Khamoshi: The Musical in the 1990s. The story was inspired by the activist Helen Keller's life and her 1903 autobiography, The Story of My Life. Principal photography was done by Ravi K. Chandran in 100 days from mid-January to April 2004, taking place in Shimla and Film City. Omung Kumar was the production designer, while Sham Kaushal was the action director. After filming, it was edited by Bela Sehgal. The soundtrack and score were composed by Monty Sharma. (Full article...)
  • Image 16 Sacred Games is an Indian Hindi-language neo-noir crime thriller television series based on Vikram Chandra's 2006 novel of the same name. Produced and directed by Vikramaditya Motwane and Anurag Kashyap under the banner of Phantom Films, it is India's first Netflix original series. The novel was adapted by Varun Grover, Smita Singh, and Vasant Nath. Kelly Luegenbiehl, Erik Barmack and Motwane were the series' executive producers. The series follows Sartaj Singh (Saif Ali Khan), a troubled police officer in Mumbai who receives a phone call from gangster Ganesh Gaitonde (Nawazuddin Siddiqui), warning him to save the city within 25 days. As the series unfolds, it chronicles the intense events that follow this ominous call. Other cast members include Radhika Apte, Girish Kulkarni, Neeraj Kabi, Jeetendra Joshi, Rajshri Deshpande, Karan Wahi, Sukhmani Sadana, Aamir Bashir, Jatin Sarna, Elnaaz Norouzi, Pankaj Tripathi, Amey Wagh, Kubbra Sait, Surveen Chawla, Kalki Koechlin, Ranvir Shorey and Amruta Subhash. (Full article...)
    Sacred Games is an Indian Hindi-language neo-noir crime thriller television series based on Vikram Chandra's 2006 novel of the same name. Produced and directed by Vikramaditya Motwane and Anurag Kashyap under the banner of Phantom Films, it is India's first Netflix original series. The novel was adapted by Varun Grover, Smita Singh, and Vasant Nath. Kelly Luegenbiehl, Erik Barmack and Motwane were the series' executive producers.

    The series follows Sartaj Singh (Saif Ali Khan), a troubled police officer in Mumbai who receives a phone call from gangster Ganesh Gaitonde (Nawazuddin Siddiqui), warning him to save the city within 25 days. As the series unfolds, it chronicles the intense events that follow this ominous call. Other cast members include Radhika Apte, Girish Kulkarni, Neeraj Kabi, Jeetendra Joshi, Rajshri Deshpande, Karan Wahi, Sukhmani Sadana, Aamir Bashir, Jatin Sarna, Elnaaz Norouzi, Pankaj Tripathi, Amey Wagh, Kubbra Sait, Surveen Chawla, Kalki Koechlin, Ranvir Shorey and Amruta Subhash. (Full article...)
  • Image 17 The planned route of L. K. Advani's Rath Yatra, beginning in Somnath on 25 September 1990 and ending in Ayodhya on 30 October The Ram Rath Yatra was a political and religious rally that lasted from September to October 1990. It was organised by the Bharatiya Janata Party (BJP) and its Hindu nationalist affiliates, and led by the then-president of the BJP, L. K. Advani. The purpose of the yatra was to support the agitation, led by the Vishwa Hindu Parishad (VHP) and its affiliates in the Sangh Parivar, to erect a temple to the Hindu deity Rama on the site of the Babri Masjid. The masjid, or mosque, had been built in the city of Ayodhya following the Mughal conquest of the region in 1528. According to hearsay, it was built over a temple dedicated to Rama, and stood on the site of his birth. In the 1980s, the VHP and other Sangh Parivar affiliates began an agitation to build a temple to Rama at the site, with the BJP lending political support to the movement. In 1990, the government of India led by V. P. Singh decided to implement some of the recommendations of the Mandal commission, and announced that twenty-seven percent of government jobs would be reserved for people from Other Backward Class. This announcement threatened the electoral constituency of the BJP, which decided to use the Ayodhya dispute to unite the Hindu vote by mobilising anti-Muslim sentiment. (Full article...)

    The planned route of L. K. Advani's Rath Yatra, beginning in Somnath on 25 September 1990 and ending in Ayodhya on 30 October

    The Ram Rath Yatra was a political and religious rally that lasted from September to October 1990. It was organised by the Bharatiya Janata Party (BJP) and its Hindu nationalist affiliates, and led by the then-president of the BJP, L. K. Advani. The purpose of the yatra was to support the agitation, led by the Vishwa Hindu Parishad (VHP) and its affiliates in the Sangh Parivar, to erect a temple to the Hindu deity Rama on the site of the Babri Masjid.

    The masjid, or mosque, had been built in the city of Ayodhya following the Mughal conquest of the region in 1528. According to hearsay, it was built over a temple dedicated to Rama, and stood on the site of his birth. In the 1980s, the VHP and other Sangh Parivar affiliates began an agitation to build a temple to Rama at the site, with the BJP lending political support to the movement. In 1990, the government of India led by V. P. Singh decided to implement some of the recommendations of the Mandal commission, and announced that twenty-seven percent of government jobs would be reserved for people from Other Backward Class. This announcement threatened the electoral constituency of the BJP, which decided to use the Ayodhya dispute to unite the Hindu vote by mobilising anti-Muslim sentiment. (Full article...)
  • Image 18 Murali Vijay during a practice session with the Indian team Murali Vijay (born 1 April 1984) is a former Indian international cricketer. He was a right-handed opening batter and an occasional right-arm off break bowler. He has represented the Indian cricket team and played for Tamil Nadu in domestic first-class cricket. He was a member of the Indian team that won the 2013 ICC Champions Trophy. In 2001, Vijay started playing cricket at the college level before he was selected for the Tamil Nadu under-22 cricket team. He made his first-class debut for Tamil Nadu in 2006 and was amongst the top run-scorers in the 2006–07 Ranji Trophy, which was his maiden first-class tournament. In 2008, he was called up to the South Zone cricket team that played for the Duleep Trophy and later to the India A side that faced the touring New Zealand A team. He made his test debut against Australia in November 2008 when the team's regular opener Gautam Gambhir was not available. After a brief run in the side playing test cricket, he played his first ODI against the touring South African team in February 2010. (Full article...)

    Murali Vijay during a practice session with the Indian team

    Murali Vijay (born 1 April 1984) is a former Indian international cricketer. He was a right-handed opening batter and an occasional right-arm off break bowler. He has represented the Indian cricket team and played for Tamil Nadu in domestic first-class cricket. He was a member of the Indian team that won the 2013 ICC Champions Trophy.

    In 2001, Vijay started playing cricket at the college level before he was selected for the Tamil Nadu under-22 cricket team. He made his first-class debut for Tamil Nadu in 2006 and was amongst the top run-scorers in the 2006–07 Ranji Trophy, which was his maiden first-class tournament. In 2008, he was called up to the South Zone cricket team that played for the Duleep Trophy and later to the India A side that faced the touring New Zealand A team. He made his test debut against Australia in November 2008 when the team's regular opener Gautam Gambhir was not available. After a brief run in the side playing test cricket, he played his first ODI against the touring South African team in February 2010. (Full article...)
  • Image 19 Network18 Media & Investments Limited, commonly referred to as the Network18 Group and sometimes as the Network18–Eenadu Group, is an Indian media conglomerate owned by the energy giant Reliance Industries, headed by billionaire Mukesh Ambani. Rahul Joshi is the managing director, chief executive officer and group editor-in-chief of Network18, and Adil Zainulbhai is the chairman of its board of directors. Network18 is the holding company of TV18 Broadcast, Web18 Software Services, Network18 Publishing and Capital18. Through its subsidiaries and franchise licensing agreements, the group owns and operates the news broadcasting networks of News18, and CNBC channels in India, the magazines of Forbes India and Overdrive, the websites of Firstpost and Moneycontrol, and owns various other assets and investments. The broadcasting subsidiary TV18 is the controlling partner in two mass media joint ventures, Viacom18 and AETN18, through which it operates the OTT platforms of Voot, the production house Viacom18 Studios, the television networks of Colors TV, Nickelodeon India, Comedy Central India, VH1 India, MTV India and the channel History TV18. (Full article...)
    Network18 Media & Investments Limited, commonly referred to as the Network18 Group and sometimes as the Network18–Eenadu Group, is an Indian media conglomerate owned by the energy giant Reliance Industries, headed by billionaire Mukesh Ambani. Rahul Joshi is the managing director, chief executive officer and group editor-in-chief of Network18, and Adil Zainulbhai is the chairman of its board of directors.

    Network18 is the holding company of TV18 Broadcast, Web18 Software Services, Network18 Publishing and Capital18. Through its subsidiaries and franchise licensing agreements, the group owns and operates the news broadcasting networks of News18, and CNBC channels in India, the magazines of Forbes India and Overdrive, the websites of Firstpost and Moneycontrol, and owns various other assets and investments. The broadcasting subsidiary TV18 is the controlling partner in two mass media joint ventures, Viacom18 and AETN18, through which it operates the OTT platforms of Voot, the production house Viacom18 Studios, the television networks of Colors TV, Nickelodeon India, Comedy Central India, VH1 India, MTV India and the channel History TV18. (Full article...)
  • Image 20 "Within You Without You" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Written by lead guitarist George Harrison, it was his second composition in the Indian classical style, after "Love You To", and inspired by his stay in India in late 1966 with his mentor and sitar teacher Ravi Shankar. Recorded in London without the other Beatles, it features Indian instrumentation such as sitar, tambura, dilruba and tabla, and was performed by Harrison and members of the Asian Music Circle. The recording marked a significant departure from the Beatles' previous work; musically, it evokes the Indian devotional tradition, while the overtly spiritual quality of the lyrics reflects Harrison's absorption in Hindu philosophy and the teachings of the Vedas. The song was Harrison's only composition on Sgt. Pepper, although his endorsement of Indian culture was further reflected in the inclusion of yogis such as Paramahansa Yogananda among the crowd depicted on the album's cover. With the worldwide success of the album, "Within You Without You" presented Indian classical music to a new audience in the West and contributed to the genre's peak in international popularity. It also influenced the philosophical direction of many of Harrison's peers during an era of utopian idealism marked by the Summer of Love. The song has traditionally received a varied response from music critics, some of whom find it lacklustre and pretentious, while others admire its musical authenticity and consider its message to be the most meaningful on Sgt. Pepper. Writing for Rolling Stone, David Fricke described the track as "at once beautiful and severe, a magnetic sermon about materialism and communal responsibility in the middle of a record devoted to gentle Technicolor anarchy". (Full article...)
    "Within You Without You" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Written by lead guitarist George Harrison, it was his second composition in the Indian classical style, after "Love You To", and inspired by his stay in India in late 1966 with his mentor and sitar teacher Ravi Shankar. Recorded in London without the other Beatles, it features Indian instrumentation such as sitar, tambura, dilruba and tabla, and was performed by Harrison and members of the Asian Music Circle. The recording marked a significant departure from the Beatles' previous work; musically, it evokes the Indian devotional tradition, while the overtly spiritual quality of the lyrics reflects Harrison's absorption in Hindu philosophy and the teachings of the Vedas.

    The song was Harrison's only composition on Sgt. Pepper, although his endorsement of Indian culture was further reflected in the inclusion of yogis such as Paramahansa Yogananda among the crowd depicted on the album's cover. With the worldwide success of the album, "Within You Without You" presented Indian classical music to a new audience in the West and contributed to the genre's peak in international popularity. It also influenced the philosophical direction of many of Harrison's peers during an era of utopian idealism marked by the Summer of Love. The song has traditionally received a varied response from music critics, some of whom find it lacklustre and pretentious, while others admire its musical authenticity and consider its message to be the most meaningful on Sgt. Pepper. Writing for Rolling Stone, David Fricke described the track as "at once beautiful and severe, a magnetic sermon about materialism and communal responsibility in the middle of a record devoted to gentle Technicolor anarchy". (Full article...)
  • Image 21 Vishnudevananda Saraswati (31 December 1927 – 9 November 1993, birth name Kuttan Nair) was an Indian yoga guru known for his teaching of asanas, a disciple of Sivananda Saraswati, and founder of the International Sivananda Yoga Vedanta Centres and Ashrams (ISYVC). He established the Sivananda Yoga Teachers' Training Course, possibly the first yoga teacher training programs in the West. His books The Complete Illustrated Book of Yoga (1960) and Meditation and Mantras (1978) established him as an authority on Hatha and Raja yoga. Vishnudevananda was a peace activist who rode in several "peace flights" over places of conflict, including the Berlin Wall prior to German reunification. In 2007, his long-serving assistant, Julie Salter, reported sexual abuse against her by the guru; she published details of her experiences in 2019, leading at least 3 other women to report their experiences of similar abuse by Vishnudevananda. (Full article...)

    Vishnudevananda Saraswati (31 December 1927 – 9 November 1993, birth name Kuttan Nair) was an Indian yoga guru known for his teaching of asanas, a disciple of Sivananda Saraswati, and founder of the International Sivananda Yoga Vedanta Centres and Ashrams (ISYVC). He established the Sivananda Yoga Teachers' Training Course, possibly the first yoga teacher training programs in the West. His books The Complete Illustrated Book of Yoga (1960) and Meditation and Mantras (1978) established him as an authority on Hatha and Raja yoga. Vishnudevananda was a peace activist who rode in several "peace flights" over places of conflict, including the Berlin Wall prior to German reunification.

    In 2007, his long-serving assistant, Julie Salter, reported sexual abuse against her by the guru; she published details of her experiences in 2019, leading at least 3 other women to report their experiences of similar abuse by Vishnudevananda. (Full article...)
  • Image 22 ATK FC (also known as Atlético de Kolkata in association with Atlético Madrid) was an Indian professional football club based in Kolkata, West Bengal. The club competed in the ISL, the top flight of Indian football. They were the league champions during the inaugural 2014 season, 2016 and 2019–20 seasons respectively. The club was owned by Kolkata Games and Sports Pvt. Ltd. which consists of former Indian cricket captain Sourav Ganguly, alongside businessmen Harshavardhan Neotia, Sanjiv Goenka and Utsav Parekh. Initially, for the first three seasons, Spanish La Liga club Atlético Madrid was also a co-owner; later Goenka bought the shares owned by Atlético Madrid. After the end of their partnership with the Spanish giant, Atlético de Kolkata has been rechristened to ATK in July 2017. The team's name and colours are derived from their former Spanish partner. (Full article...)
    ATK FC (also known as Atlético de Kolkata in association with Atlético Madrid) was an Indian professional football club based in Kolkata, West Bengal. The club competed in the ISL, the top flight of Indian football. They were the league champions during the inaugural 2014 season, 2016 and 2019–20 seasons respectively.

    The club was owned by Kolkata Games and Sports Pvt. Ltd. which consists of former Indian cricket captain Sourav Ganguly, alongside businessmen Harshavardhan Neotia, Sanjiv Goenka and Utsav Parekh. Initially, for the first three seasons, Spanish La Liga club Atlético Madrid was also a co-owner; later Goenka bought the shares owned by Atlético Madrid. After the end of their partnership with the Spanish giant, Atlético de Kolkata has been rechristened to ATK in July 2017. The team's name and colours are derived from their former Spanish partner. (Full article...)
  • Image 23 Chak De! India (transl. Let's go! India) is a 2007 Indian sports film directed by Shimit Amin and produced by Aditya Chopra under the banner of Yash Raj Films. The film stars Shah Rukh Khan as Kabir Khan, former captain of the India men's national field hockey team. After a disastrous loss to Pakistan, Khan is ostracized from the sport owing to religious prejudice. 7 years later in an attempt to redeem himself, he becomes the coach of the Indian national women's hockey team, with the goal of turning its 16 contentious players into an award-winning team. Jaideep Sahni, a screenwriter, was inspired by the India women's national field hockey team's win at the 2002 Commonwealth Games to develop Chak De! India's script after reading about it in a newspaper. The screenplay was fictional and the characters, while inspired by the real team and coaches, were invented by Sahni. Kabir Khan's struggles bore resemblance to those faced by real-life hockey player Mir Ranjan Negi, although Sahni was unaware of Negi's tribulations while writing the script. On the suggestion of Maharaj Krishan Kaushik, then coach of the women's hockey team, Sahni invited Negi to join the film's production team. A combination of professional players and actors were cast as the sixteen team members; workshops were conducted for training the actors in hockey and the players in acting. Kaushik and Negi would train Sahni, Khan and the other cast members over a period of six months. The sports scenes were choreographed by Rob Miller, and the soundtrack was composed by Salim–Sulaiman, with lyrics written by Sahni. (Full article...)
    Chak De! India (transl. Let's go! India) is a 2007 Indian sports film directed by Shimit Amin and produced by Aditya Chopra under the banner of Yash Raj Films. The film stars Shah Rukh Khan as Kabir Khan, former captain of the India men's national field hockey team. After a disastrous loss to Pakistan, Khan is ostracized from the sport owing to religious prejudice. 7 years later in an attempt to redeem himself, he becomes the coach of the Indian national women's hockey team, with the goal of turning its 16 contentious players into an award-winning team.

    Jaideep Sahni, a screenwriter, was inspired by the India women's national field hockey team's win at the 2002 Commonwealth Games to develop Chak De! India's script after reading about it in a newspaper. The screenplay was fictional and the characters, while inspired by the real team and coaches, were invented by Sahni. Kabir Khan's struggles bore resemblance to those faced by real-life hockey player Mir Ranjan Negi, although Sahni was unaware of Negi's tribulations while writing the script. On the suggestion of Maharaj Krishan Kaushik, then coach of the women's hockey team, Sahni invited Negi to join the film's production team. A combination of professional players and actors were cast as the sixteen team members; workshops were conducted for training the actors in hockey and the players in acting. Kaushik and Negi would train Sahni, Khan and the other cast members over a period of six months. The sports scenes were choreographed by Rob Miller, and the soundtrack was composed by Salim–Sulaiman, with lyrics written by Sahni. (Full article...)
  • Image 24 Kazi Nazrul Islam in 1926, Chittagong Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced [kad͡ʒi ˈnod͡ʒɾul islam] ⓘ; 24 May 1899 – 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet). His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul). Born into a Bengali Muslim Kazi family hailing from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India), Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry, drama, and literature while working with the rural theatrical group Leṭor Dôl, Leṭo being a folk song genre of West Bengal usually performed by the people from Muslim community of the region. He joined the British Indian Army in 1917 and was posted in Karachi. Nazrul Islam established himself as a journalist in Calcutta after the war ended. He criticised the British Raj and called for revolution through his famous poetic works, such as "Bidrohī" ('The Rebel') and "Bhangar Gan" ('The Song of Destruction'), as well as in his publication Dhūmketu ('The Comet'). His nationalist activism in Indian independence movement led to his frequent imprisonment by the colonial British authorities. While in prison, Nazrul Islam wrote the "Rajbôndīr Jôbanbôndī" ('Deposition of a Political Prisoner'). His writings greatly inspired Bengalis of East Pakistan during the Bangladesh Liberation War. (Full article...)

    Kazi Nazrul Islam in 1926, Chittagong

    Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced [kad͡ʒi ˈnod͡ʒɾul islam] ⓘ; 24 May 1899 – 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet). His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul).

    Born into a Bengali Muslim Kazi family hailing from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India), Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry, drama, and literature while working with the rural theatrical group Leṭor Dôl, Leṭo being a folk song genre of West Bengal usually performed by the people from Muslim community of the region. He joined the British Indian Army in 1917 and was posted in Karachi. Nazrul Islam established himself as a journalist in Calcutta after the war ended. He criticised the British Raj and called for revolution through his famous poetic works, such as "Bidrohī" ('The Rebel') and "Bhangar Gan" ('The Song of Destruction'), as well as in his publication Dhūmketu ('The Comet'). His nationalist activism in Indian independence movement led to his frequent imprisonment by the colonial British authorities. While in prison, Nazrul Islam wrote the "Rajbôndīr Jôbanbôndī" ('Deposition of a Political Prisoner'). His writings greatly inspired Bengalis of East Pakistan during the Bangladesh Liberation War. (Full article...)
  • Image 25 Front view, September 2012 Safdarjung's tomb is a sandstone and marble mausoleum in Delhi, India. It was built in 1754 in the late Mughal Empire style for Nawab Safdarjung. The monument has an ambience of spaciousness and an imposing presence with its domed and arched red, brown and white coloured structures. Safdarjung, Nawab of Awadh, was made prime minister of the Mughal Empire (Wazir ul-Mamlak-i-Hindustan) when Ahmed Shah Bahadur ascended the throne in 1748. The tomb, within a garden, is in a late version of the style of earlier Mughal imperial tombs, most famously the Taj Mahal, with inside "eight paradises" (hasht bihisht) or eight rooms around the main chamber under the dome, and a garden divided into four parts outside. This was the first time someone outside the immediate imperial Mughal family built themselves such a tomb and garden complex, reflecting the greatly diminished powers of the emperors by this date. (Full article...)

    Front view, September 2012

    Safdarjung's tomb is a sandstone and marble mausoleum in Delhi, India. It was built in 1754 in the late Mughal Empire style for Nawab Safdarjung. The monument has an ambience of spaciousness and an imposing presence with its domed and arched red, brown and white coloured structures. Safdarjung, Nawab of Awadh, was made prime minister of the Mughal Empire (Wazir ul-Mamlak-i-Hindustan) when Ahmed Shah Bahadur ascended the throne in 1748.

    The tomb, within a garden, is in a late version of the style of earlier Mughal imperial tombs, most famously the Taj Mahal, with inside "eight paradises" (hasht bihisht) or eight rooms around the main chamber under the dome, and a garden divided into four parts outside. This was the first time someone outside the immediate imperial Mughal family built themselves such a tomb and garden complex, reflecting the greatly diminished powers of the emperors by this date. (Full article...)
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A Beechcraft 1900D carrying employees of an oil company crashes in Unity, South Sudan, killing 20 of the 21 people onboard, including one Indian and two Chinese nationals. (CNN) (Reuters)
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Following the meeting between Indian Foreign Secretary Vikram Misri and Chinese Foreign Minister Wang Yi in Beijing, China and India agree to resume direct air travel between the two countries after a five-year hiatus. (CNA).
22 January 2025 – 2025 Jalgaon train accident
At least thirteen people are killed in a railway accident in Jalgaon, Maharashtra, India. The victims had initially fled from their train following an alleged fire alarm and were subsequently struck and killed by a passing train on the adjacent tracks. (BBC)
20 January 2025 – 2024 Kolkata rape and murder
A court in Kolkata, India, sentences a 33-year-old police volunteer to life in prison for raping and murdering a medical trainee in August 2024. (DW)

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Timeline of Indian history, Indus Valley Civilisation, Dholavira, Science and technology in ancient India, Meluhha, Aryan invasion theory, Out of India theory, Greek conquests in India, Indian maritime history, Maurya Empire, Ashoka, Shunga Empire, Hoysala Empire, Vijayanagara, Satavahana dynasty, Indo-Greek Kingdom, Indo-Scythians, Indo-Parthian Kingdom, Kushan Empire, Western Satraps, Gupta Empire, Chola dynasty, Pala Empire, Islamic incursions in India, Mughal Empire, Maratha Empire, British Raj, East India Company, Governor-General, Viceroy, War of Independence, 1857, Indian independence movement, Indian National Army, Azad Hind, Quit India Movement, Partition of India, History of Republic of India, Non-Aligned Movement, Sino-Indian War, Indo-Pakistani War of 1947–1948, Indo-Pakistani War of 1965, Indo-Pakistani War of 1971, Kargil War, 2001–02 India–Pakistan standoff, Military, Demographic

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  1. ^ In this Indian name, the name Krishnan is a patronymic, and the person should be referred to by the given name, Trisha.
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